![]() Dominant 7ths of a minor chord, for example, use a flat 7th, while Major 7ths use the whole 7th note. There are three other types of 7th chord, created by either using a whole or flat 7th note, or a major, minor or diminished root triad. The G 7th (Dominant) interval is equal to 7 whole notes, which in G is F. Triad into a G 7th (Dominant) by adding the note 7 notes above G to the Chord. They’re called 7ths, because each one adds a note that is 7 notes from the root. There are four types of 7th chord: Major, Dominant, Half-Diminished, and Diminished. Here are the two suspended chords of G Major played together (starting with the default G chord for comparison): 7th chords.īefore we move onto the key of G Major and how to work in it, a final word on 7th chords. Each adds a profoundly different character to the If it’s moved down one whole note, it’s a SuspendedĢnd, and if it’s moved up one whole note, it’s a Suspended 4th. Regular triads in which the middle note – the third – is moved. Suspended chords AKA ‘sus chords’ are simply Each may also transition more smoothly between other chords in your progressions, without changing the pitch of your G chord: G Major Suspended chords. G Major (1st Inversion): G Major (2nd Inversion): Try playng the inversions together with the root – the voicings create quite different textures. Perhaps this is easier to understand in a simple chart: Chord The ‘voice leading’ each respective chord is G, B, and D. In the image above, we can see the default triad, 1st inversion and 2nd inversion. This has the effect of changing which note is at the root of the chord. It can seem a bit confusing, at first, but it’s super useful when you get your head around it!Īs discussed earlier, ‘inversions’ are ways of playing the same chord but with one or more of the same notes played in a different octave. You can choose which ‘version’ of the chord to play. The lower D is one whole octave below the higher one.ĭo you see that this is an example of the same chord with the one played on a different octave? This is a ‘version’ of the root chord – or, as we call it in music theory, an ‘Inversion’. D is 7 semitones up from G, and therefore 5 semitones down from it, too. Remember that an octave is made up of 12 semitones? In the chord of G, the fifth is D. Regardless of scale, the 1st and 5th together always signify which chord is being played. The 1st and 5th notes are the over-arching chord tones. The middle note, or third, is what signifies whether a chord is Major or Minor. So, we can count five keys (or 3 whole notes) up from G to reach the third – B. ![]() On a piano, a semi-tone step is simply a key up or down from the current key. We call this note the ‘third’ because it is three whole notes from the root, G. In G Major, the middle note is 5 semitones above the root. ![]() The number of semitones between each note varies if the chord is Major or Minor. Starting from the root, triad chords contain 2 additional chord tones. We already have the Root, third and fifth present in the basic triad. These additional notes are called ‘chord tones’. You can add notes, or ‘complexity’ to this G Major triad and increase the polyphony. The basic triad of G Major looks like this: Chord Learn how to use the chord and key of G Major with our guide! It’s one of the most common chords in modern music and the root key of many smash-hit songs. ![]() The chord and key of G Major (and how to use it in your songs).
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